Recent trends have revealed a new climax for western artistry: the singer epitomized by the archetype of the neolithic fertility goddess, particularly instantiated by the morbidly obese black woman possessing a revolting voice unfit for singing, lyrics filled with obscenities and praise for the cultural decline that has birthed her. Singers going viral overnight due to well-connected parents before hitting the wall and fading into obscurity after a few years. The West has resorted to astroturfing artists that are not only untalented, but even sometimes outright disgusting. China, as a state with more propensity for coordinated action, is relied upon for a large part of western countries’ need for manufactured industrial goods and other parts of the supply chain.Ĭulture has not remained unscathed either: our elites have lost the ability to seed the production of any kind of cultural artifact or even simple entertainment that is engaging for the average sensible person, much less cutting-edge high art. In its sclerosis, the west has largely became dependant on China to remedy its failures. News titles such as warships catching fire or collapsing buildings are becoming routine, clearly indicating a generalized trend. Our societies have lost the ability to accomplish tasks that require complex/concentrated thought and effort, or even basic infrastructure maintenance. The political and institutional rot of western countries proceed to new levels every day.

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